Conclusion There are other small, religious implications in the play, pertaining to the promise of hope being dashed by the harshness of reality.If one were to take a pragmatic look at the situation, one may say that the dilemma they wish to escape from is one created by themselves.The candles have much relation to hope of salvation (i.e. The lights go out and Jim takes a candelabra in to Laura in the living room.Tags: Research Papers Great GatsbyScholarship Essays For CollegeWhich Is The First Step Of The Writing Process For A Process EssayEdward Jones Financial Advisor Business PlanBibliography Format For Research PaperPolitical Science Undergraduate ThesisBusiness Marketing PlansOnline Magazine Business PlanScholarships Requiring EssaysConsulting Problem Solving
Many of these symbols are conveyed through Christian imagery, and appear to suggest that religion is just another means of escape.
Religious Imagery Act 1 Scene 4: Probably one of the strongest religious images in the play is the trivialized representation of Christ in the person of the magician named Malvolio (i.e., “hatred”).
At the end of the play, Tom tells Laura to blow out her candles – that is, to extinguish her hopes of being saved from her dismal future which marriage would have solved.
Candles are used here as they would be used in prayer for something better.
Glass Menagerie Cite three religious images in the play.
As a whole, what does the religious imagery suggest?
Additionally, in Act 1, Scene 6, there is reference to the Paradise Dance Hall where young people go to dance to forget the impending war.
Again, this is an allusion to religion as a means of escape from reality, much as the symbolism of the fire escape.
Tom may, in a sense, cast blame on his father for leaving them and prematurely making him the man of the family (and the brunt of his mother’s constant nagging), but in the end he finds his own salvation by leaving himself, thus validating his father’s action. Tom is seemingly capable of functioning in the real world. His family means more to him than he himself realizes. He feels like a trapped animal that finally escapes its shackled existence. The Glass Menagerie The Glass Menagerie is a play written by Tennessee Williams and premiered in Chicago in the year 1944. Louis and is based on the memories of Tom Wingfield, the narrator and main character of the story (Dudley 21).
The imagery points to a superficial reliance on religion – not really faith but the outward trappings of faith – as a means of escaping the painful reality of the present. Tom is shown as an individual who aspired to become a poet, but who instead has to work in a warehouse in order to support his family consisting of his mother, Laura Wingfield, and his sister, Laura.