Stealing By Carol Ann Duffy Poem Essay

She is the Scottish-born lesbian daughter of two Glasgow working-class radicals.

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Aesop grows tired of her husband’s constant moralizing, Mrs.

Freud complains about the great psychologist’s obsession with penises, Sisyphus’s bride is stuck with a workaholic, and Mrs.

Although at first the conversation seems to indicate the model’s acceptance of conventional attitudes about beauty in art—and, by extension, what an ideal woman should be—as the poem progresses Duffy deconstructs these traditional beliefs.

Ultimately, the poet expresses that “the model cannot be contained by the visual art that would regulate her,” explained Di Marco.

She was seriously considered for the position in 1999.

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Prime Minister Tony Blair’s administration had wanted a poet laureate who exemplified the new “Cool Britannia,” not an establishment figure, and Duffy was certainly anything but establishment.

Duffy has a strong following among young Britons, partially because her poetry collection was included in Britain’s A-level curriculum, but Blair was worried about how “middle England” would react to a lesbian poet laureate.

There were also concerns in the administration about what Britain’s notorious tabloids would write about her sexuality, and about comments that Duffy had made urging an updated role for the poet laureate.

In the end, Blair opted for the safe choice and named Andrew Motion to the post.

After Duffy had been passed over, Katherine Viner wrote in the that her “poems are accessible and entertaining, yet her form is classical, her technique razor-sharp.


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