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The play started with Thebes’ clamour to King Oedipus to stop the plague that threatened the city.
Oedipus takes this as an insult and jumps to the conclusion that Creon paid Teiresias to say these things.
Furious, Oedipus dismisses him, and Teiresias goes, repeating as he does, that Laius's killer is right here before him - a man who is his father's killer and his mother's husband, a man who came seeing but will leave in blindness.
Blinded and shamed, he asked Creon to end his life but Creon refused.
He then submitted to Creon’s leadership and waited for the oracle to prophesy if he will still stay or be thrown out of Thebes.
Oedipus the King is a good example of a classic tragedy where a hero’s acts contribute to his downfall.
This play has been considered one of the most flourishing stories in the history of classic tragedy which made Sophocles one of the greatest Greek tragedians of his time.
Creon returns, bearing good news: once the killer of the previous king, Laius, is found, Thebes will be cured of the plague (Laius was Jocasta's husband before she married Oedipus).
Hearing this, Oedipus swears he will find the murderer and banish him.
In her book “Tragic Pleasures: Aristotle on Plot and Emotion, Belfiore conferred that Aristotle regarded “Oedipus the King” as the best Greek Tragedy.
Cliff Notes provided a detailed but concise summary of the Oedipus the King where Sophocles emphasized the irony of a man who is determined to find and punish an assassin who in the end turned out to be himself.