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There were four narrators, and some of their predicaments I sympathized with very strongly, but they weren’t me.The moment you’re using a frame of reference that’s not your own, then it’s hard work, whatever it is.Nick Hornby, the author of High Fidelity, About a Boy, and Fever Pitch, talks about the pitfalls of contemporary literary culture, his ambition to be the male Anne Tyler, and his new novel for young adults .
Obviously, there were a couple of exceptions in England, but most of the time I didn’t want to read a lot of that stuff.
It grew out of seeing a teen couple who were parents near where I live. Is this how you typically start on a larger narrative?
Though he no longer writes about sports, Hornby is still an avid fan, and it somehow seemed fitting that we conducted this interview on the first night of this year’s World Series.
We were both in Seattle: he was in town from his home in North London to give a reading that evening at the Seattle Public Library.
Yeah, but it tends not to move very quickly in a lot of these books.
book that’s in a bookstore should entertain in some way.
I had planned to speak with him by telephone and then to attend the reading.
But as a Red Sox fan, I was conflicted about having to forgo game one of the series.
At the end of our interview, he asked where I was from, and when I replied that I was from Boston, he immediately intuited my conflict.
He knew the Sox were playing that night, and he quickly and generously gave me a dispensation. On this tour I’ve been dealing with the people who run the young-adult sections of bookstores and libraries, and they have their own particular favorites. In this same That’s a complicated question with a complicated answer.