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Wallenberg died of a heart attack at age 34 on July 17, 1947, at the Lubyanka headquarters of the K. Wallenberg’s case, July 31, 1952.“Please note that this does not imply that the Tax Agency has made any judgment as to whether this is the actual day of death,” Ms. The decision to grant the family’s request and declare Mr. Wallenberg’s family said last November that they wanted the Swedish authorities to declare him dead.In cooperation with the Swedish International Development Cooperation Agency (Sida) and with other institutions, the Institute organizes extensive academic and training programmes for the dissemination of human rights standards, democratic values and the rule of law, in Sweden and in several other countries.
The Institute co-operates closely with the University of Lund and several other academic institutions and international organisations.
The RWI participates in networks of Nordic, European and international human rights institutes and works actively with them on various human rights and international development projects.
Eventually assigned to the neutral Swedish legation in Budapest, Wallenberg, on his own and with fellow outraged diplomats, labored tirelessly and at great personal risk to provide special documents and to adopt other measures that brought thousands of Hungarian Jews under royal Swedish protection, thus sparing them from deportation and death.
Borden describes this hero’s extraordinary life and exploits in free verse, which makes for fast-paced, exciting (though sometimes choppy) reading.
Her research has been impeccable, and she has included a wealth of personal and historic detail.
The contemporary photos, documents and maps are excellent and place events in lucid context.
At the beginning of the story, Robert sees men strung up in a public square in Budapest.
His experience of death quickly becomes more intimate, when Judit, the wife of his father’s cousin, dies in childbirth as they flee.
S.) and Canadian Jewish Book Awards, might have written a memoir, but writing a novel allowed him to tell this story in a lyric, dreamlike prose.
This may have been the best way for this author to convey in a literary, adult voice such an early trauma.