Essay On My Favourite Story Book Character

Essay On My Favourite Story Book Character-12
Good, memorable writing grows from an understanding of what exactly makes writing good, and memorable.Maybe it’s just the English major in me, but I get a sort of buzz from doing this; I could talk books all day.

Good, memorable writing grows from an understanding of what exactly makes writing good, and memorable.Maybe it’s just the English major in me, but I get a sort of buzz from doing this; I could talk books all day.

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This is inherently difficult, in that it feels incongruous to what we as humans are seemingly hard-wired to do, which is mimic what we see. In fact this book, I think, is an example of how certain influences, while powerful and inspirational and offering of much wisdom, are ultimately untouchable, stars for others to emulate and orbit, but never to duplicate. The word’s overused and banalified now, despair, but it’s a serious word, and I’m using it seriously.

For me it denotes a simple admixture — a weird yearning for death combined with a crushing sense of my own smallness and futility that presents as a fear of death.

The essay is a relatively straightforward account of Wallace’s experience and of what it taught him about the more unfortunate aspects of entertainment, leisure and humanity.

It’s largely free of the psychological convolution that so thoroughly entangles and frustrates much of his fiction (although of course there’s much subtext to read into).

And so in hopes of starting a conversation with other similarly lit-enthused individuals, I’ve listed below the 5 works of literature from the five authors that have proven most influential to my growth and struggle in becoming both a better writer and also a better person. No short story collections made my list, and neither did any book-length works of non-fiction.

My list unabashedly excludes a number of older novels and authors that I know are widely revered and who’s exclusion from my list will likely ruffle some proverbial feathers.And so I’ve had to learn to temper my propensity for mimicry that without fail reveals itself any time I go back and read DFW’s stuff.This is one reason that I tend to stick with DFW’s nonfiction: It’s more straightforward.But it also remains that this list is subjective and personal, and thus my including texts only because I thought I I’m hardly the first person to have attested to as much, but this novel broke my heart in a way that few books ever have.Of course there are the painful and cutting shards of racism and poverty that puncture the skin of a number of characters in the novel — experiences that are so eloquently and honestly and empathetically brought to life by Morrison that the reader would have to be inhuman not to feel sick after reading them — and these hit home particularly hard for me, at the time, given that my students looked like and were only a little bit younger than the novel’s main character, Pecola.This seems to me like an important goal for this kind of creative non-fiction.I read this particular essay often, now — especially now that I write a lot more of the kind of creative non-fiction that this essay essentially serves as the high-water mark for.The prose in each chapter varies depending on who’s narrating the chapter; in this way it reminds me of a less arduous impressed upon me the idea that I didn’t have to abide by a linear outline in my writing, and that regardless of how sensuous your sentences are, regardless of how exciting the plot of your story is, a writer can ultimately only impact a reader by connecting with them through their characters.Indeed, what makes work so well — what brings it all together — is the tenderness and humanity that Egan imbues each character with.I’m talking Faulkner, Hemingway, Salinger, Baldwin — the list goes on.Partly my afore-referenced time studying English Lit is to blame for this; I had a number of “older,” more classic texts sort of crammed down my throat, thus not allowing for the more genuine, blooming realization of greatness and impact that resulted from my reading — on my own — the texts below.


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