Furthermore, this amount of time provides the writer with the opportunity of taking an interest in a textbook case, of wondering about this society which is both his own insofar as it is his native country, but which, at the same time, has nothing to do anymore with the one he lived in because of the unprecedented economic miracle that the nation was experiencing as he wrote the book.It is most probably significant that this questioning is based on a set of different texts, in other words, that the author chose a collection of stories to share his numerous questions.Tags: Argumentative Essay Gas PricesNon Fiction Essay TopicsGay Marriage Essay IntroductionMba Dissertation Projects In MarketingBrotherhood EssayThesis On NspsA Good Thesis Statement For An Abortion EssayOnline Coursework Submission Essex University
Indeed, right from the paratext, the irony is obvious: the title that highlights strength, wealth and grandeur is directly followed by an epigraph which discloses the other side of the picture—“Frailty, thy name is man.” This aphorism in inverted commas proves to be a parody—an ironic process—of a quotation from : “Frailty, thy name is woman.” This connection between the title and the epigraph introduces a symmetrical contrast, an inversion as if each element contained the seeds of its opposite.
In this case, it condenses the replacement of strength by weakness, in other words, a possibility for this “country of the grand,” endowed with great power, to be weakened and impoverished.
We’ll see first that irony is in league with the genre of the short story, that it is part of the paradox of the unexpected themes and motifs of the book.
Then we’ll focus on the writer’s intentions and the reasons why he takes on the part of an ironist to depict the Irish society of his days. It is worth mentioning that it is the first time that Gerard Donovan has published a collection of stories and written about Ireland.
) laisse à penser que l’objet du livre est une riche superpuissance, comme les Etats-Unis.
Or, l’intrigue de la quasi-totalité des nouvelles atteste que ce pays n’est autre que l’Irlande, sur laquelle l’auteur, Gerard Donovan, né à Dublin, écrit pour la première fois.
In this microcosm, individual destinies can easily be transposed to collective fate, the short story writer having the gift of making symbols from events and characters.
He also manages to grasp what lies beneath the surface and make it tangible.
This progression will lead us to answer some questions which are specific to the very activity of writing: writing in what form? Indeed, the plots of the three novels he wrote before were set in the US for two of them and in an unnamed, war-torn country, possibly in Eastern Europe, for the third one.
According to Donovan, the stories in this collection were written over a period of fifteen years: most of them began life in the early 90s, were revised and re-worked many times; new stories were designed in the meantime; others were written just before publication.