Critical Essays On The Sound And The Fury

Critical Essays On The Sound And The Fury-43
However, it seems imperative to first explain that a major reason for Jung’s split from Freud had to do with their differing views on the human imagination.

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Although Tebbets touches on issues of shadow and anima/animus, his reading seems to focus on the “failed individeuation” of the Compson siblings and how the Compson parents contribute to that failure.

My reading of The Sound and the Fury will focus, as Tebbet’s does, on failed individuation, but rather than viewing each of the Compson siblings as a separate self failed in individuating, I will demonstrate how each represents a different aspect of a greater whole the artist’s self, and then because the work is visionary, by extension, the collective Self of human kind.

Kubie -- The stillness of Light in August / Alfred Kazin -- Joe Christmas : the hero in the modern world / John L. / Cleanth Brooks -- William Faulkner : the hero in the new world / R.

/ Hyatt Waggoner -- History and the sense of the tragic : Absalom, Absalom! Lewis -- William Faulkner's reply to the civil-rights program / Edmund Wilson -- Faulkner and the South today / Elizabeth Hardwick -- Regeneration for the man / Andrew Lytle -- Time frozen : A fable / V. Pritchett -- William Faulkner and the problem of war : his fable of faith / Norman Podhoretz -- Faulkner : the South, the Negro, and time / Robert Penn Warren.

While his conscious mind stands amazed and empty before this phenomenon, he is overwhelmed by a flood of thoughts and images which he never intended to create and which his own will could never have brought into being... According to Jungian thought, art that is produced in such a fashion is considered of the visionary type, and it was this type of art that Jung was most concerned with because he believed it sprang from and offered “profound insights into the secret workings of a man’s collective psychological life” (Jacoby 71).

He can only obey the apparently alien impulse within him and follow where it leads, sensing that his work is greater than himself, and wields a power which is not his and which he cannot command... Faulkner’s description of how The Sound and the Fury came into being and his discussion of the almost painful process of writing the book allow the reader to see how the work qualifies as visionary. The story of the Compsons emerged, as Faulkner suggests most of his stories do, “with a single idea or memory or mental picture” (qtd. Jung’s idea of archetypal imagery must be considered here.

These works positively force themselves upon the author; his hand is seized, his pen writes things that his mind contemplates with amazement.

The work brings with it its own form; anything the wants to add is rejected, and what he himself would like to reject is thrust back at him.


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